The Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera features new and improved features from its Mini Pro predecessor, offering exciting new functionality to professional digital filmmakers. On its own, the URSA Mini Pro G2 includes a 4-pin XLR industry standard power connector that works with 12 to 30V external power supplies. With selectable levels of compression up to 12:1, .braw clips can be recorded to standard SD cards. I am envious of today’s film students who might have access to it. Since the form factor of the original URSA Mini has been adhered to, the ergonomic benefits have remained as well. The different cameras share the same LCD screen, the same Cfast 2.0, and SD Card slots. Manufacturer rebates, terms, conditions, and expiration dates are subject to manufacturers printed forms NYC DCA Lic. Copyright ©2020 Designtechnica Corporation. Ships from and sold by SabrePC. Choose URSA Mini 4K, URSA Mini 4.6K or URSA Mini Pro 4.6K G2. 4.6K footage can be recorded up to 120 frames per second, while 1080p can hit 300 fps. Just announced a few weeks ago, the new Blackmagic URSA Mini Pro 4.6K G2 looks to have already begun making the rounds with select videographers enough to garner some first hands-on footage tests.. Alex Schwindt is a filmmaker and writer with over two decades of ministry experience. Of course, for many of us, $6,000 may as well be $60,000. The Ursa Mini Pro G2 from Blackmagic Design is a compact digital film camera with high performance 4.6K HDR sensor for shooting up to 300 fps. With Blackmagic RAW, customers can choose compression levels up to 12:1 and still get professional-quality images that can be used for feature films, documentaries, and broadcast programming. The updated electronics push the maximum ISO up a stop to 3,200. Raw HD and 4K ProRes material can be recorded onto convenient and relatively inexpensive SD cards compatible with the UHS-II standard. The controls are laid out in a logical order that makes them easy to remember so you'll be able to adjust camera settings, apply ND filters, and change frame rates without having to look at the buttons, dive into on-screen menus, or take the camera off your shoulder. The raw files preserve the full dynamic range and color tonality output from the sensor, so you can have greater control over the look in post-production. If you want to use lenses with F (Nikon), PL, or B4 mounts, separately available interchangeable mounts can be purchased. The exterior of the camera also gains a monochrome LCD panel which displays essential shooting data at a glance. But it’s a well-trained bear. The URSA Mini family are powerful and robust cameras that are available in three different models, so you can choose the camera that best suits your needs. I edited and colored the clips in Blackmagic DaVinci Resolve 16 on my eight-year-old iMac and, well, it worked. Upgrade your lifestyleDigital Trends helps readers keep tabs on the fast-paced world of tech with all the latest news, fun product reviews, insightful editorials, and one-of-a-kind sneak peeks.Digital Trends may earn a commission when you buy through links on our site. The G2 introduces an updated Super 35 4.6K sensor featuring 15 stops of dynamic range at 3200 ISO, high frame rate recording up … Learn more > OLPF BMPCC, BMMCC, BMCC 2.5K. A wide exposure latitude allows for greater control in post, enabling highlight recovery while keeping the shadows clean from artifacting. About Morgan. Ships from and sold by Adorama. Not me. The interface is easy to learn if you haven’t used a Blackmagic camera before. The four-position wheel switches between two, four, and six stops of neutral density, plus a clear filter for no exposure reduction. Oversampling from 12K gives you the best 8K and 4K images with the … Serv. Not responsible for typographical or illustrative errors. First, the addition of external camera controls allows menus to be accessed to change exposure settings, activate slow/fast motion, or engage focus assist or other functions. $5,995 Furthermore, the current filter settings can be displayed as an ND number, stop reduction, or fraction on the LCD. Despite its size, the URSA Mini Pro G2 still fits essential controls and I/O for professional workflows. You have until Feb 01, 2021 to return or exchange items bought after Oct 19, 2020. The camera uses the same battery power connector and mounting points on the rear of the camera as used on the original URSA, so you can use the same range of battery plates from a wide range of manufacturers such as IDX, Frezzi, Anton Bauer, and more. The default electronic EF lens mount is user-interchangeable and adjustable to ensure proper flange focal distance. While the viewfinder may not come standard, a touchscreen monitor does, and it’s the most approachable user interface you can get on a camera. Blackmagic Design today announced that the new film “Sài Gòn Trong Cơn Mưa (Saigon in the Rain)” was shot on URSA Mini Pro 4.6K G2 using Blackmagic RAW. (In truth, that’s still quite affordable in the realm of cinema glass.). On the front right side of the camera, the 4-pin XLR DC and HD-SDI monitoring output are located in the perfect position for connecting to an optional viewfinder or on set monitor. Even at 12:1 compression, I was amazed by how much detail I could pull out of the shadows. Optical Low Pass Filter + IR-cut for Blackmagic URSA Mini Pro 4.6K G1|G2. There’s no reason not to use it. Another welcome pro feature is the built-in ND (neutral density) filter wheel. The Blackmagic URSA Mini Pro G2 is easily one of the best cameras on the market for filmmakers needing the great color, high frame rates, 4K+ resolution and internal raw capture. You can use the built-in stereo microphone to record natural location sound or connect professional microphones using the two XLR mic inputs. Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. Blackmagic made a point to unify its UI across camera models, so if you own a Pocket Cinema Camera, you’ll feel at home with the Ursa. Upping the electronics and recording capabilities of its Mini Pro predecessor, the Blackmagic Design 's URSA Mini Pro 4.6K G2 Digital Cinema Camera brings expanded control set and even more functionality. These formats can be recorded onto CFast or SD cards, as well as direct to flash disks using the USB-C expansion port. After a few years of striking and bizarre designs, Blackmagic landed on a familiar shape that straddles the gap between cinema camera and ENG camcorder. It could shoot Cinema DNG, an open RAW format by Adobe, but I didn’t have the storage space or processing power to handle it. The clear, 2-, 4-, and 6-stop filters have been specifically designed to match the color science of the URSA Mini Pro G2 to maintain consistent image quality with minimal color shift. Included with the camera is a DaVinci Resolve USB dongle which contains a license to unlock the full feature set within the software. They can produce big-screen-caliber movies in their dorm rooms, and never know the pain of shooting and editing standard definition footage on MiniDV tapes. Digital Trends’ video team even used it on the floor at CES 2020. You’ll still want a fast V90 card to be safe, but you no longer have to be a professional studio or have a huge budget to work with RAW video. It was a solid update from the URSA as well as a great A-cam, B-cam partner with the highly affordable BMPCC 4K as well. With an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini Pro G2 can capture motion pictures that have greater-than 4K resolution with a filmlike 15 stops of dynamic range at a very high 3200 ISO. OLPF URSA Mini Pro 4.6K G1|G2. The Blackmagic Design URSA Mini Pro 4.6K G2 (EF) is a RAW capable cinema camera and an update to the URSA Mini Pro that adds a refined sensor & USB Type-C port for SSD media. The original Ursa Mini Pro 4.6K was Blackmagic’s first camera that felt finished. Upping the electronics and recording capabilities of its Mini Pro predecessor, the Blackmagic Design's URSA Mini Pro 4.6K G2 Digital Cinema Camera brings expanded control set and even more functionality. Sure, that’s a chunk of change, but it’s a far cry from the $8,000 required for the cinema versions of those lenses. Blackmagic Design URSA Mini Shoulder Kit for The USRA Mini, Tripod Quick Lock Release $395.00. Sizing down the original URSA shape enables the URSA Mini Pro G2 to fit into feature film, indie film, TV, commercial, documentary, and music video workflows with crews of any size. But it’s a well … Deal. Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters. The status display is a high-visibility black-and-white LCD screen designed to be easily seen even in bright light. The iris dial is difficult to reach when the monitor is open, a design flaw that Blackmagic might have overlooked because cinematographers using actual cinema lenses will use the iris ring on the lens. Most notably, this means new high frame rate (HFR) options for slow motion. Using the optional shoulder mount with built-in quick release plate, the URSA Mini Pro G2 can go from handheld to shoulder to tripod in a matter of seconds. When I tested the first-gen Ursa Mini Pro 4.6K, it was before Blackmagic had released its RAW video format. The screen's backlight can be turned on when you're shooting in dimly lit locations, and off when you're shooting outdoors and in bright light to increase contrast, making it easy to read under nearly any shooting condition. The film also used DaVinci Resolve Studio for color correction, which was completed by Saigon based colorist and post production supervisor Bui Cong Anh. All other standard return policy conditions apply. Get an amazing Super 35mm 4.6K sensor with 15 stops of dynamic range up to 120 fps or 2K at 300 fps! Blackmagic URSA Mini Pro 4.6K G2. (The Ursa’s autofocus capabilities, however, are not good — stick with manual focus. And the turnaround time for repairs is long as well. That means it's easy to use the camera with existing professional power supplies and batteries. Given the all metal body construction and solidity of the whole thing, that's quite an achievement. One complaint? Blackmagic URSA Mini Pro G2 B&H: https://bhpho.to/2Jn3qwX Amazon: https://amzn.to/2MFE6S8. The URSA Mini Pro 4.6K G2 has the same features you expect out of a professional-level cinema body of a much higher price point. Both cameras yield some beautifully cinematic footage, and this post takes a look at footage from each. The email address you entered was an invalid email. View online or download Blackmagicdesign URSA Mini Pro 4.6K Installation And Operation Manual Blackmagic URSA Mini Pro 4.6K G2. From news gathering to film production, the Ursa Mini Pro can be configured to fill a variety of roles. Blackmagic Design URSA Mini 4.6K G2 EF Mount. Of course, Cinema lenses have some advantages — mostly, they make you look like a badass — but Blackmagic’s willingness to let you natively mount any old DSLR lens is a huge plus for the indie and student filmmaking crowds. Despite my techno-lust, the Ursa remains out of my league — and yet, not outlandishly beyond my budget. Shooting Resolutions: 4608 x 2592, 4096 x 2304 (4K 16:9), 4608 x 1920 (4K 2.4:1), 4096 x 2160 (4K DCI), 3840 x 2160 (Ultra HD), 3072 x 2560 (3K Anamorphic),2048 x 1152 (2K 16:9), 2048 x 1080 (2K DCI), 1920 x 1080. Optical Low Pass Filter + IR-cut for Blackmagic Pocket Cinema Camera, BM Micro Cinema Camera, BM … URSA Mini Pro G2 Features: 4.6K Super 35 HDR CMOS Sensor; 4.6K up to 120 fps, 300 fps at 1080p BH #BLURSAMPG2 • MFR #CINEURSAMUPRO46KG2, Upping the electronics and recording capabilities of its Mini Pro predecessor, the. The G2 Digital Cinema Camera introduces an updated Super 35 4.6K sensor with 15 stops of dynamic range at 3200 ISO, high frame rate recording up to 300 fps, and additional recording … For ENG lenses, a 12-pin Hirose connector will power the servo so all lens functionality can be utilized. & Home App. Probably the most impressive update with the G2 is the ability to capture 4.6K footage at 120 fps, 4K DCI at 150 fps, or even 1080p footage at 300 fps which is well suited for fast-action shooting. Additionally, the internal IR filters have been designed to filter both optical and infrared wavelengths evenly to eliminate IR contamination of the images that can be brought about by standard ND filter. From a technical standpoint, anyway. Filed Under: Uncategorized. Upping the electronics and recording capabilities of its Mini Pro predecessor, the Blackmagic Design 's URSA Mini Pro 4.6K G2 Digital Cinema Camera brings expanded control set and even more functionality. You have to first decide which record button to press — there are, like, four of them. Where other such machines appear terrifying in their complexity, the Ursa is docile. However, data-heavy uncompressed raw files aren't always easy to deal with on set so in addition to uncompressed raw recording, the URSA Mini Pro provides compressed raw recording at 3:1 and 4:1 compression ratios to save space while retaining post-production flexibility. Let’s take a quick look at it! That last one opens the Ursa up to a legacy of photographic lenses going back decades. Performance was troublesome after adding more than the most basic color adjustment, but the fact it worked at all is impressive. The Blackmagic URSA Mini Pro 4.6K G2 is the new version of the popular URSA Mini Pro. Having an interchangeable lens mount allows the URSA Mini Pro G2 to be used in nearly any kind of workflow including documentary, ENG/EFP, and cinema. Behind the display, two SD card slots beside the CFast 2.0 slots enable more affordable media to be used for less intensive recording formats. The 4.6K Super 35mm sensor captures 15 stops of … Like the URSA Mini, the URSA Mini Pro G2 can record high-resolution raw sensor data in Blackmagic RAW format onto CFast 2.0 or SD memory cards at up to 60 fps. Customer support included, find out more about this high-quality professional digital film camera at ProAV. At a fiver under $6,000, I won’t be buying one anytime soon, but it’s a heck of a lot more affordable than similar cinema cameras from other manufacturers. This is the single greatest reason why I … The film also used DaVinci Resolve Studio for color correction, which was completed by Saigon based colorist and post production supervisor Bui Cong Anh. 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